The Gala program will feature the finalists of YAGP international ballet competition and stars of the world’s leading dance companies.

 

FEATURING THE STARS

Alexandra Ansanelli (New York City Ballet)
Peter Boal (New York City Ballet)
Ashley Bouder (New York City Ballet)
Bridget Breiner (Stuttgart Ballet)
Sandra Brown (Complexions Contemporary Ballet)
Jose Manuel Carreno (American Ballet Theatre)
Lorena Feijoo (San Francisco Ballet)
Douglas Lee (Stuttgart Ballet)
Joaquin de Luz (New York City Ballet)
David Makhateli (The Royal Ballet)
Roberta Marquez (The Royal Ballet)
James A. Pierce (Ailey II)
Cynthia Quinn (MOMIX)
Desmond Richardson (Complexions Contemporary Ballet)
Gregory Sinacori (Ailey II)
Wendy Whelan (New York City Ballet)
Ricardo Zayas (Ailey II)

Hosted by Lee Roy Reams

 

         
  YAGP 2005 GALA: “STARS OF TODAY MEET THE STARS OF TOMORROW”  
  MONDAY, APRIL 18, 2005  
  NEW YORK CITY CENTER  
     
         
  ACT I: “STARS OF TOMORROW  
         
  Finalists of Youth America Grand Prix 2005 International Student Ballet and Contemporary  
  Dance Scholarship Competition. Entries selected by the judges of the competition.  
         
  Grand Defilé   Finalists of Youth America Grand Prix 2005  
  Choreography: Carlos dos Santos, Jr.      
  Rehearsal Director: Mikhail Tchoupakov      
  Music: Peter Tchaikovsky      
         
         
         
  Intermission  
         
  ACT II: STARS OF TODAY  
         
  Cinderella   Roberta Marquez  
  Choreography: Sir Frederick Ashton   David Makhateli  
  Music: Sergei Prokofiev   (The Royal Ballet)  
         
  Ms. Marquez and Mr. Makhateli’s performance is      
  underwritten by Brian and Darlene Heidtke.      
         
         
  Takademe   James A. Pierce  
  Choreography: Robert Battle   Gregory Sinacori  
  Music: Sheila Chandra   Ricardo Zayas (Ailey II)  
         
  The Ailey II company members’ performance is      
  underwritten by Dr. Guido Goldman.      
         
         
  James variation from “La Sylphide”   Kenta Shimizu  
  Choreography: August Bournonville   (YAGP Alumnus, Miami City Ballet)  
  Music: Herman Lovenskjold      
         
         
  Distant Cries   Wendy Whelan  
  Choreography: Edwaard Liang   Peter Boal  
  Music: Tomaso Albinoni   (New York City Ballet)  
         
  Ms. Whelan and Mr. Boal’s performance is      
  underwritten by Robert A. Schulman.      
         
         
  Who Cares?   Alexandra Ansanelli  
  Choreography: George Balanchine   (New York City Ballet)  
  © The George Balanchine Trust      
  Music: George Gershwin      
         
  Ms. Ansanelli’s performance is underwritten by      
  Yaniv and Ariel Schulman.      
         
         
  Pieces of a Lost Paradise   Bridget Breiner  
  Choreography: Christian Spuck   Douglas Lee  
  Music: Eugene YsaYe   (Stuttgart Ballet)  
         
  Ms. Breiner and Mr. Lee’s performance is      
  underwritten by Ruth Brandt.      
         
         
  The Wind-Up   Cynthia Quinn  
  Choreography: Moses Pendleton   (MOMIX)  
  Music: Baka Beyond      
         
  Ms. Quinn’s performance is underwritten by the      
  William George Family Charitable Trust.      
         
         
  Tarantella   Ashley Bouder  
  Choreography: George Balanchine   Joaquin de Luz  
  © The George Balanchine Trust   (New York City Ballet)  
  Music: Louis Moreau Gottschalk      
         
  Ms. Bouder and Mr. De Luz’s performance is      
  underwritten by Leah and Larry Superstein.      
         
         
  Ave Maria   Sandra Brown  
  Choreography: Dwight Rhoden   Desmond Richardson  
  Music: Giulio Caccini   (Complexions Contemporary Ballet)  
         
  Ms. Brown and Mr. Richardson’s performance is      
  underwritten by Cheryl and Raymond Katz.      
         
         
  Pas de Deux from “Don Quixote”   Lorena Feijoo (San Francisco Ballet)  
  Choreography: Marius Petipa   Jose Manuel Carreno (ABT)  
  Music: Ludwig Minkus      
         
  Ms. Feijoo and Mr. Carreno’s performance is      
  underwritten by Anonymous Donor.      
         
         
         
The performance of “Who Cares?” and “Tarantella” was made possible by
  arrangement with and courtesy of The George Balanchine Trust.